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	<title>OINOTNA</title>
	<link>http://oinotna.xixao.com</link>
	<description>handkraft and photos</description>
	<pubDate>Sat, 25 Oct 2008 10:44:24 +0000</pubDate>
	<language>en</language>
			<item>
		<title>plastic monalisa</title>
		<link>http://oinotna.xixao.com/2008/08/08/plastic-monalisa/</link>
		<comments>http://oinotna.xixao.com/2008/08/08/plastic-monalisa/#comments</comments>
		<pubDate>Fri, 08 Aug 2008 14:02:16 +0000</pubDate>
		<dc:creator>anaton</dc:creator>
		
		<category><![CDATA[web]]></category>

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		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><img src="http://oinotna.xixao.com/files/z-cyklu-usmev-mony-lisy-27.jpg" alt="z-cyklu-usmev-mony-lisy-27.jpg" /></p>
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		<title>LONDON NOW</title>
		<link>http://oinotna.xixao.com/2008/03/22/london-now/</link>
		<comments>http://oinotna.xixao.com/2008/03/22/london-now/#comments</comments>
		<pubDate>Sat, 22 Mar 2008 14:40:31 +0000</pubDate>
		<dc:creator>anaton</dc:creator>
		
		<category><![CDATA[web]]></category>

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		<description><![CDATA[IMIN
]]></description>
			<content:encoded><![CDATA[<p>IMIN</p>
]]></content:encoded>
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		<item>
		<title>- FÓRUM -</title>
		<link>http://oinotna.xixao.com/2008/02/07/forum/</link>
		<comments>http://oinotna.xixao.com/2008/02/07/forum/#comments</comments>
		<pubDate>Thu, 07 Feb 2008 14:53:46 +0000</pubDate>
		<dc:creator>anaton</dc:creator>
		
		<category><![CDATA[History]]></category>

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This is  a place where u can send my anything,  except virus&#8230;

]]></description>
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<li><strong>This is  a place where u can send my anything,  except virus&#8230;</strong></li>
</ul>
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		<item>
		<title>My Contact</title>
		<link>http://oinotna.xixao.com/2008/01/28/my-contact/</link>
		<comments>http://oinotna.xixao.com/2008/01/28/my-contact/#comments</comments>
		<pubDate>Mon, 28 Jan 2008 11:52:56 +0000</pubDate>
		<dc:creator>anaton</dc:creator>
		
		<category><![CDATA[web]]></category>

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		<description><![CDATA[Slovakia
Stará Ľubovňa
oinotna@seznam.cz
mob.+421915409083
mob.G.Britain. 07826057849
skype: ANATON

]]></description>
			<content:encoded><![CDATA[<p align="center"><strong>Slovakia</strong></p>
<p align="center"><strong>Stará Ľubovňa</strong></p>
<p align="center"><strong>oinotna@seznam.cz</strong></p>
<p align="center"><strong>mob.+421915409083</strong></p>
<p align="center">mob.G.Britain. 07826057849</p>
<p align="center"><strong>skype: ANATON</strong></p>
<p align="center"><img src="http://oinotna.xixao.com/files/myself.jpg" alt="myself.jpg" /></p>
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		<item>
		<title>Benjamin Walter - Eng.</title>
		<link>http://oinotna.xixao.com/2008/01/22/b-walter-eng/</link>
		<comments>http://oinotna.xixao.com/2008/01/22/b-walter-eng/#comments</comments>
		<pubDate>Tue, 22 Jan 2008 10:39:33 +0000</pubDate>
		<dc:creator>anaton</dc:creator>
		
		<category><![CDATA[Benjamin Walter]]></category>

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		<description><![CDATA[


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Walter Youngest child (1892-1940)
&#160;



BIOGRAPHICAL PROFILE





It was born the 15 of 1892 July in Berlin, where it began his studies of philosophy, that continued in Friburgo,  Munich and Bern. Its academic vocation was truncated when not being approved its doctoral thesis -&#8217;El origin of the tragedy  alemaná (1928) - in the University of Frankfurt. [...]]]></description>
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<p align="center">&nbsp;</p>
<p align="center">&nbsp;</p>
<p align="center">&nbsp;</p>
<p align="center"><img src="http://oinotna.xixao.com/files/benjamin1.jpg" alt="benjamin1.jpg" /></p>
<p align="center">&nbsp;</p>
<p align="center">&nbsp;</p>
<p align="center">Walter Youngest child (1892-1940)</p>
<p align="center">&nbsp;</p>
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<td height="30" valign="bottom"><img src="http://www.infoamerica.org/teoria_imagenes/cuadratin1.gif" align="absmiddle" height="13" width="10" /><font color="#000000">BIOGRAPHICAL PROFILE</font></td>
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<td valign="bottom"><img src="http://www.infoamerica.org/teoria_imagenes/cuadratinmora350.jpg" height="12" width="300" /></td>
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<td>It was born the 15 of 1892 July in Berlin, where it began his studies of philosophy, that continued in Friburgo,  Munich and Bern. Its academic vocation was truncated when not being approved its doctoral thesis -&#8217;El origin of the tragedy  alemaná (1928) - in the University of Frankfurt. Next to the postulates of the Marxist thought of <a href="http://62.97.114.150/traducirpagina.aspx?slyidioma=es_en&amp;url=http%3a%2f%2fwww.infoamerica.org%2fteoria%2flukacs1.htm">György  Lukac</a>s, it maintained one narrow relation with  the Germanic dramatist <a href="http://62.97.114.150/traducirpagina.aspx?slyidioma=es_en&amp;url=http%3a%2f%2fwww.infoamerica.org%2fteoria%2fbrecht1.htm">Bertolt Brecht</a>. From Jewish origin, after the ascent of nazism to  the power it fled to France, where it continued his theoretical work.  Before the Nazi advance on France, in 1940 it flees with his  sister to Lourdes and is able a visa to travel to the United  States, facilitated by <a href="http://62.97.114.150/traducirpagina.aspx?slyidioma=es_en&amp;url=http%3a%2f%2fwww.infoamerica.org%2fteoria%2fhorkheimer1.htm">Max Horkheimer</a>. When crossing the border franc-Spanish, is stopped  by the police and ends its life <a href="http://62.97.114.150/traducirpagina.aspx?slyidioma=es_en&amp;url=http%3a%2f%2fwww.wbenjamin.org%2flinks3.html">(cuestionamiento  of the causes of the death</a>).<br />
Bibliography (translations in Spanish language):                        <em>Selected tests</em>, South Ed., Buenos  Aires, 1967.                        <em>On the program of the</em><img src="///C:/DOCUME%7E1/triptich/LOCALS%7E1/Temp/moz-screenshot-4.jpg" /><em> future  philosophy and other tests</em>, Mount Avila, Montevideo, 1971. Angelus Novus, Edhasa, Barcelona 1971. <em>Iluminaciones</em>, Taurus, 3 vols. Madrid.1971-1975. <em>Interrupted  speeches</em>, Taurus, Madrid.1973. <em>Reflections on infantile, young children, toys, books and education</em>, New Vision, Buenos Aires, 1974. <em>Haschisch</em>, Taurus, 1974. <em>For a critic of the violence</em>,  Edhasa, Madrid, 1977. <em>Childhood in Berlin  towards 1900</em>, Madrid, Abundant spring, 1982. <em>For a critic of the violence</em>, It  awards, Mexico, 1982. <em>One way street</em>, Abundant spring, Madrid, 1987. <em>Correspondence 1933-1940 WB/G.Scholem</em>, Taurus, Madrid, 1987. <em>Newspaper of Moscow</em>, Taurus, Madrid, 1988. <em>Demónico Berlin</em>, Icaria,  Barcelona, 1988. <em>Writings</em>, New  Vision, Buenos Aires, 1990. <em>The origin of the  German baroque drama</em>, Taurus, Madrid.1991.<em>                        For a critic of the violence and other tests</em>, Taurus, Madrid, 1991. <em>The  metaphysics of youth</em>, Paidós, Barcelona, 1993. <em>Autobiographical writings</em>,  Publishing Alliance, Madrid.1996. <em>Two tests on  Goethe</em>, Gedisa, Barcelona.1996.</td>
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<td height="30" valign="bottom"><img src="http://www.infoamerica.org/teoria_imagenes/cuadratin1.gif" align="absmiddle" height="13" width="10" /><font color="#000000">THE THOUGHT</font></td>
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<td valign="bottom"><img src="http://www.infoamerica.org/teoria_imagenes/cuadratinmora350.jpg" height="12" width="300" /></td>
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<td>German thinker whose work, fragmented and  incomplete, is, by its value of suggestion and projection in the  present thought, one of most excellent of last century XX. From  a conception defined as &#8216; utopismo negativó, first from defined Marxist positions and, later, with a vision that registers in the  critical spirit of the School of Frankfurt.<br />
Youngest child analyzes the &#8216; subversion of tecnologíá,  that is to say, its determining relation with the art and the culture  and the autonomy of the society. The direction of the designed  technological development from the positions of being able accentuates the power, the control, the same sense of the innovation.<br />
The communication and the industries of the culture are present  in their work, that approaches aspects like the culture of masses, the perception, the social and political function of the mechanical  transmission of the knowledge, the fashions, the language, etc.  The technology predefines the content, as it indicates when  analyzing the cultural transformations of the cinema, or the loss of &#8216; will aurá, the experience, of the experience, in the photographic  reproduction.<br />
The technique directs the communication, orients it, takes it to the mass, turns it a reference instrument on the part of the dominant  classes. To the time, it transforms the speech.  Tecnológicá not only changes to the cognitiva experience by the &#8216; experience, but that the narrative value of history, the  cultural perception of the past, is degraded in the communicative fact of the news, the information, the ephemeral value of the reproduction. The taking of conscience based on the experience is replaced by  the induction of an artificial or virtual construction of the reality.<br />
The temporary dimension of the narrative experience disappears  in the means system, where the instantaneity of the news prevails.  The value of the collective experience is diluted in the  solitude of the technical consumption, in the directed induction of  the &#8216; experience tecnológicá.<br />
Between texts of reference on the effects of the technical  reproduction of the art and the memory, <em><a href="http://62.97.114.150/traducirpagina.aspx?slyidioma=es_en&amp;url=http%3a%2f%2finicia.es%2fde%2fm_cabot%2fla_obra_de_arte_en_la_epoca_de_su.htm">the work  of art at the time of its technical reproductibilidad</a></em> (1936), <em><a href="http://62.97.114.150/traducirpagina.aspx?slyidioma=es_en&amp;url=http%3a%2f%2finicia.es%2fde%2fm_cabot%2fel_narrador.htm">the narrator</a></em> (1936), in whom he theorizes about the values of the  experience and the information, <a href="http://62.97.114.150/traducirpagina.aspx?slyidioma=es_en&amp;url=http%3a%2f%2fwww.wbenjamin.org%2fWB_spanish.html"><em>On the perception. Experience and Knowledge</em></a>, etc.</td>
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